Here’s the ink and colour of something that you will see included on the cover for Breakaway:
Tag Archives: Sneak Peek
Breakaway concept art. Chan Ranbir sketch!
Chan Ranbir got old, but still an authority figure.
Breakaway has begun! First sneak peeks of Janav concept designs.
Janav’s all grown up now.
First concepts of the Clockwork Watch uniform.
First sketches of possible hairdue for Janav.
Trying out his grown up face…
The Ranbir Family… with an addition.
Here’s the first scan of the painting! I still need to do a few touch up’s here and there, but the majority of the work is done.
The Arrival – First Look
Order yours NOW! It’s a thing of beauty…
First review of Clockwork Watch: “The Arrival” via Geek Syndicate
We’re happy to announce the first review of Clockwork Watch: The Arrival, by our friends at Geek Syndicate.
“Jennie’s art is classical in nature, elegant in execution and she shows a fabulous eye for colours and how to use them to add depth and emotion to every panel she draws. The other nice touch was the use of real locations including Crystal Palace and some small history lessons thrown in as well. I am new to the whole steampunk culture but really liked this story and I would recommend it to anyone looking to test the waters with the whole genre.”
It’s always humbling to read stuff like this, especially our first issue.
Thank you!!!
The Arrival Cover
All Patrons Big and Small…
Young Victorian Sohan meets Janav from India at the London Zoological Gardens in “The Arrival”, first instalment of Clockwork Watch.
The Clock faces – part 3 by Corey Brotherson
And here we move on to the last of our main characters in The Arrival…
Chan Ranbir
Chan is very much a driving force of The Arrival – for both the right and wrong reasons. A short-tempered genius, the father of the Ranbirs is stern, influential and a figure who looms over the family’s future.
Chan wants two things – for Clockwork to be a success, and to have his family part of that. In some respects he thinks that’s one and the same, and as such it creates one of the major problems for the family.
Reading Yomi’s original script made Chan into a very harsh figure. Which is perfectly natural. The Arrival is told through the eyes of his son, Janav, who only sees the move to England not in terms of building a future, but as a destruction of the young boy’s past. And as we take in the story through the perceptions of a slightly bitter eight-year-old, Chan comes across as a bit of an ogre. However, deconstructing that reveals a man driven by his passion to be a father to a better society, rather than merely being a simple obstacle for Janav to overcome.
True, Chan can be seen as overbearing, but the intriguing thing that stood out when peeling back the layers of his character is that he is a man of the future. He is such an important part of the Clockwork Watch universe – a main cog, if you will – that he is one of the few characters in the story who has his eyes firmly set on what’s yet to come.
Which is the biggest problem for Chan. After all, the large irony of a man who has his sights on everything ahead of him, tends to be short-sighted to the things closest to him…
Cross Cultural Steampunk
Here’s what happens when culture collides with history in a make believe universe.
Sikhism meets Steampunk.
A snippet from the front cover of The Arrival.